- #Alienskin exposure 7 no white balance manual
- #Alienskin exposure 7 no white balance skin
- #Alienskin exposure 7 no white balance professional
Once I decided to make the switch over, I wrestled with the best program to use for editing. You can actually sometimes save photos of poor quality as long as they were shot in RAW.
#Alienskin exposure 7 no white balance professional
Professional photographers will use this format so that they can do ‘touch ups’ and make the photos look as good as they possibly can. RAW is a completely uncompressed format and you can produce higher quality images with the format. Another format that is popular to use is JPEG, but when you shoot in that format image information is compressed and lost so that quality is sometimes sacrificed for file size. If you aren’t familiar with it, RAW is a format for digital photographs that will capture all image data recorded by the sensor when you take a photo.
Towards the end of 2017, I upgraded my camera to a Canon 5D Mark IV and at that time, I decided to make the switch permanently over to the RAW format. There are also a couple of examples with strong flare - some may not like this, but I think the flare that infrared photography sometimes produces can create interesting effects.This past year, I took the leap into taking RAW photos. The same image of horseshoe bend appears in both faux color and black and white, so you can see some of the different possibilities with color and black-and-white infrared technique.
#Alienskin exposure 7 no white balance skin
After that, I used photoshop to swap channels, and tweaked the colors and/or converted to black and white using plug-ins such as Nik’s Viveza 2, Alien Skin Exposure 7 or MacPhun’s Tonality Pro. I shot in raw and used Capture One for white balance and exposure adjustments, and then converted the images to tiffs. All but one of the images was taken with the 16-35.
These are a few shots from the trip, taken at Antelope Canyon, Horseshoe Bend, and Zion. The lens can also produce some amazing sunstars.
#Alienskin exposure 7 no white balance manual
(The main downsides are an out-of-date LCD and lack of live view, since manual focus is sometimes necessary for infrared work personally, I don’t mind the 12 megapixel sensor and have even made some relatively large prints from images taken with this camera.) The 16-35 zoom, a relatively new offering from my Canon, is very sharp, and the image stabilization was particular useful in some spots, because the 5D is best shot at low ISOs and I prefer to shoot at f8 to f16 for infrared landscapes. Even though the 5D model is almost 10 year old, I have found it works extremely well for infrared work and can produce stunning images when paired with the right lens. On this trip, I used a converted Canon 5D, which has an “enhanced color” infrared filter, with a Canon 16-35 F4 L lens or a Canon 8-15 F4 L fisheye lens. It provides some basic background on digital infrared technique and examples of infrared photographs that I took before the workshop. A few years ago, I began experimenting with digital infrared photography, and found that it to be an interesting way to capture unusual and sometimes surreal images. The workshop was also a great opportunity to meet some amazing photographers and do some hiking (Angel’s Landing at Zion was a particular highlight in terms of stunning scenery and a challenging ascent).Īt some of the locations I used a specially converted digital camera that captures infrared light. These sites presented extraordinary opportunities for landscape photography. We visited some beautiful places in Arizona and Utah, including Antelope Canyon, Rattlesnake Canyon, Horseshoe Bend, Zion National Park, and Sedona. Last November I attended Steve Huff’s Southwest Workshop along with about two dozen other photographers from all over the world.